Spider-Noir finds a new spin on superhero tropes

Photo: Prime Video

We’re over 80 years away from the end of the “classic” era of film noir. That’s enough time for the conventions of the genre to become ingrained in pop culture, fall out of fashion, and return to popularity. One could argue that the style and tone of noir never truly fell out. It simply changed with the times. Conversely, superhero properties have been going strong for long enough to need something fresh to pique viewer interest. They desperately need a change and have been stubborn to do so. Spider-Noir attempts to revitalize one genre while paying homage to the other.

Nicolas Cage, in his first TV role, stars as Ben Reilly, formerly The Spider, a masked superhero who does whatever a spider can. Since the tragic death of his wife, Reilly has retired the costume and settled into the role of a grizzled P.I. Don’t worry, this isn’t a “Surf Dracula” situation. Reilly’s back in the costume before too long, thanks to a complicated case that, in true noir fashion, only gets more complex the deeper he looks into it.

Cage is in fantastic form here, treating Reilly as both a broken man and a walking reference to Humphrey Bogart. There’s a cartoonish element to the performance that really helps sell the superhero part of the equation. He also plays wonderfully well with a cast of equally game players. Most notably with Lamorne Morris as reporter Robbie Robertson and Karen Rodriguez as Reilly’s assistant Janet. Not to mention the always welcome presence of Brendan Gleeson as the villainous Silvermane. It’s a stacked cast, but Cage remains the main attraction.

What really helps Spider-Noir land is the clear love on display for the genre. References to film noir’s heyday fill each episode, and the show’s visuals further enhance them. While Amazon gives you the option to watch in color or black-and-white, the latter is clearly the superior choice. The style pops, the setting fits better and, most importantly, it hides some of the dodgier special effects work. In general, “dodgy” is the best description for most of the superhero elements.

As is all too often the case, Spider-Noir works best when it focuses away from the superpowers. The show builds up such an exceptional case for Reilly as a detective that you forget he even has abilities. This is a show designed to play the classics, and it works best in that mode. With a fun cast and a delightfully pulpy Nicolas Cage at the center, the series succeeds at finding a new avenue for standard noir tropes. The constant nods to the genre’s past might rub some the wrong way, but for dedicated buffs there’s a lot to love. Besides, where else are you going to see Cage quote James Cagney?

Spider-Noir is currently streaming on Prime Video.

Final Verdict: Tune In

Another Brick in the Wall #2 – Cluny’s Clowns/High Standards

Swanson, Kiorein, and Stairmaster are back discussing Redwall. In this batch, the trio discuss the “circus” episode, differences in adaptation, and the off-kilter pacing of each episode. Want to request a future bonus episode? Donate to our Buy Me a Coffee page https://www.buymeacoffee.com/tvtuners

Quick Hits: “Margo’s Got Money Troubles”, “Half Man”, “Widow’s Bay”

Welcome to what should be the final installment of these quick reviews for the time being. It’s taken a while, but I feel confident that I’ll have some full reviews on newer shows coming next week. As for this installment, we’ve got an OnlyFans dramedy, a dark look at male masculinity, and a small Massachusetts island that might be cursed.

Photo: Apple TV

Admittedly, calling Margo’s Got Money Troubles an “OnlyFans dramedy” is a tad misleading. Sure, the risque subscription service plays an integral part in the story, but there’s so much more than the label implies. After getting knocked up by her English professor, Margo (Elle Fanning) does indeed run into money troubles, and she turns to OnlyFans as a surprisingly useful way to make money. At its core, the series is a family drama with some spice added in. That spice often leads to the show’s funniest moments, but the writing never looks down on Margo or the other sex workers she encounters.

That humanist spirit applies to the rest of the cast as well. Margo’s estranged parents, Jinx (Nick Offerman) and Shyanne (Michelle Pfeiffer) are particular highlights. Offerman and Pfeiffer provide great foils for each other, and Fanning leans on both in different circumstances. With a great cast that also includes appearances from Greg Kinnear, Nicole Kidman, and Marcia Gay Harden, Fanning remains the standout. Margo may be impulsive and a bit naïve, but she’s also determined to carve out a place for herself despite what others think. Her struggles are the story, but the victories, however small, are what keep you watching.

Margo’s Got Money Troubles is currently streaming on Apple TV.

Final Verdict: Tune In

Half Man

Photo: HBO

How bleak is too bleak? Half Man, Richard Gadd’s follow-up to Baby Reindeer, often feels designed to test the limits of that question. Gadd drops the black comedy this go, but adds even more psychological tension. The series follows Niall (Mitchell Robertson), a shy, closeted teen forced to live with his violent half-brother, Ruben (Stuart Campbell). The series follows a non-linear path through their lives up to adulthood, where Niall and Ruben (Jamie Campbell and Richard Gadd, respectively) continue to struggle with themselves in various ways.

As with his previous work, Gadd tackles some heavy themes here, specifically toxic masculinity and repression. The problem is that the story’s point feels well made before we get anywhere near the conclusion. There just doesn’t seem to be enough material for 6 hour-long episodes. Instead, Half Man ramps up the dourness to an unpleasant degree. The intent is to drive the themes home in the audience’s mind, but it only exposes the flimsy plot holding it all together.

Half Man is currently streaming on HBO Max.

Final Verdict: Tune Out

Widow’s Bay

Photo: Apple TV

There’s something wrong with Widow’s Bay. The fictional island town is the setting for the titular Apple TV show and home to a curse that has spooked many of the locals. Regardless, Mayor Tom Loftis (Matthew Rhys) is determined to turn the place into a tourist attraction. Therein lies the central premise of Widow’s Bay as Tom deals with hesitant locals and his own growing fear that the curse is real. That’s enough foundation for a solid TV show, but creator Katie Dippold and her team don’t stop there.

Part of what makes the horror/comedy combo of Widow’s Bay work is how seamlessly the show transitions between the two genres. You buy the terror these characters experience while also appreciating the absurdity of it all. It helps to have the likes of Stephen Root and Kate O’Flynn in your cast. Rhys’ chemistry with Root’s outspoken local is a particular delight. O’Flynn, meanwhile, ends up being one of the year’s surprise stars as Tom’s assistant Patricia. On top of all that, you have fantastic direction from Hiro Murai, Andrew DeYoung, and even an episode by Ti West that toes the line between genres beautifully. All in all, Widow’s Bay is the biggest surprise of the year so far. The island might not be the next Martha’s Vineyard, but it’s well worth a stay.

Widow’s Bay is currently streaming on Apple TV.

Final Verdict: Tune In

Another Brick in the Wall #1 – Treachery/Sparra’s Kingdom

The TV Tuners podcast is back! Swanson, Kiorein, and Stairmaster have returned for a series covering the forgotten animated series Redwall. Also, the gang reveal what they’ve been up to and commiserate about the final season of The Boys. Want to request a future bonus episode? Donate to our Buy Me a Coffee page https://www.buymeacoffee.com/tvtuners

Quick Hits: “Rooster,” “Bait,” “Big Mistakes”

Welcome back to another series of mini-reviews! This go-around is a bit of a “Oops, all comedy” situation, which was more of a happy accident than anything intentional on my part. We’ve got Steve Carell going back to school, Riz Ahmed trying out for James Bond, and Dan Levy entering the world of crime. Let’s get into it.

Rooster

Photo: HBO

2026 may end up being the year of Bill Lawrence. The prolific comedy writer/producer has overseen the revival of Scrubs as well as continued work on Shrinking. You can also see his name in the credits of Ted Lasso, even though he isn’t directly involved in the return of that show. With Rooster, Lawrence dives into the waters of HBO comedy.

Steve Carell is Greg Russo, the titular Rooster, a nickname he gets from students who are fans of his series of male-fantasy crime novels. In typical Carell style, Russo is an awkward guy who is just self-effacing enough to be bearable. After a convoluted situation involving his daughter Katie (Charly Clive) and her estranged husband Archie (Phil Dunster), both college professors, Russo takes a gig as writer-in-residence for the semester.

Rooster’s thoughts on academia are stale and easily the worst part of the series. Thankfully, the show mostly uses its setting as a backdrop for the antics of a cast of oddballs. Carell proves to be the perfect lead for a series that thrives on character interactions. His charming persona creates a chemistry with just about everyone he shares the screen with. In particular, his dynamic with college president Walter Mann (John C. McGinley) and Tommy, a student with a potential gift for writing (Maximo Salas) are the most endearing. Not everything lands. The aforementioned daughter and husband relationship takes up too much time with little payoff, but the show finds new ways to win you back. You could do worse than spending a couple hours hanging out with this group.

Rooster is currently streaming on HBO Max.

Final Verdict: Tune In

Bait

Photo: Prime Video

The possibility of James Bond being played by a person of color has been discussed for so long that it almost feels old hat to even bring it up. Maybe that’s part of what makes Bait so engaging. There’s a novelty to using the actual franchise name and likeness for this story, especially after its purchase by a billionaire with Bond villain tendencies. Created by and starring Riz Ahmed, the series follows Shah Latif, a struggling actor who finds himself in the running to be the fresh face of Britain’s favorite spy. What follows is less worried about the particulars of casting and more focused on examining Latif’s insecurities and the public backlash he and his family must endure.

While there’s plenty of dramatic heft to go around, Bait is primarily a comedy. Ahmed proves to be a fantastic straight man for the chaos that surrounds him each episode. The show is at its best when it allows Shah’s family dynamics to boil over into his career. His interactions with his cousin Zulfi (Guz Khan) are a particular highlight. The two make a terrific comedic duo, as Zulfi shamelessly tries to hustle his way into the same fame and fortune that Shah is chasing. Ultimately, Bait’s heartfelt satire is too irresistible to miss.

Bait is currently streaming on Prime Video.

Final Verdict: Tune In

Big Mistakes

Photo: Netflix

After being one of the creative forces behind the great Schitt’s Creek, Dan Levy hasn’t done a lot behind the scenes. Outside of a mildly received Netflix film, Levy has mainly stuck to building his comedic persona on screen. That changes with Big Mistakes, a crime comedy that is light on both.

The series follows Levy as Nicky, an openly gay pastor who, along with his sister Morgan (Taylor Ortega) gets involved in the world of organized crime. The show takes its time setting up that premise, banking on your enjoyment of the dysfunctional family dynamics and constant bickering that goes on when the family is together.

As you might tell, I was not won over. Levy and Ortega have great comic chemistry, and Laurie Metcalf is a treat as their demanding mother, Linda, but these characters are never funny enough to overcome their inherently unlikable personalities. Add to that a crime plot that takes too long getting to the point, and you have a show that is less than the sum of its parts. I wanted better for Levy’s return to TV, but Big Mistakes ends up as directionless as its characters.

Big Mistakes is currently streaming on Netflix.

Final Verdict: Tune Out