Maximum Pleasure Guaranteed delivers thrills and satisfaction in equal measure

Photo: Apple TV

So many TV shows made today rely on shoving as many twists and turns as possible into the story. This is especially true in the thriller genre. While we can chalk it up to lazy writing and the need to pad out the plot, there’s another culprit. An underrated aspect is how the wealth of television options also fuels the need to stand out. Which is why it’s always a delight when a show pulls off the balance and delivers something worthwhile. Especially when it has a title as bold as Maximum Pleasure Guaranteed.

Apple TV’s latest is a thriller, a comedy, and a family drama all in one anxiety-inducing package. The series stars Tatiana Maslany as Paula Saunders, a recently divorced fact-checker who develops a relationship with webcam boy Trevor (Brandon Flynn). In Trevor, Paula finds a person to vent to about her legal troubles and job precarity. Things take a turn when it becomes clear that Trevor is attempting to scam her, dragging Paula into a dark mystery. All the while Paula has to contend with her patronizing ex-husband (Jake Johnson), his new wife (Jessy Hodges), and a droll detective who seems exasperated by her choices (Dolly de Leon).

Much of the show’s Pleasure comes from Maslany, who puts in possibly her best work since Orphan Black. Thrillers often require the characters to make poor choices to move the story along, which can feel grating or obvious. Maslany and the writing team take the time to walk us through Paula’s frazzled mindset. This allows us to rationalize her bad choices in a way that both keeps the story engaging and builds sympathy. The writers also avoid casting judgement on Paula’s relationship with Trevor, wisely leaving it as the inciting incident. None of it works without the careful guidance of Maslany’s performance.

So many TV shows made today rely on shoving as many twists and turns as possible into the story. This is especially true in the thriller genre. While we can chalk it up to lazy writing and the need to pad out the plot, there’s another culprit. An underrated aspect is how the wealth of television options also fuels the need to stand out. Which is why it’s always a delight when a show pulls off the balance and delivers something worthwhile. Especially when it has a title as bold as Maximum Pleasure Guaranteed.

Apple TV’s latest is a thriller, a comedy, and a family drama all in one anxiety-inducing package. The series stars Tatiana Maslany as Paula Saunders, a recently divorced fact-checker who develops a relationship with webcam boy Trevor (Brandon Flynn). In Trevor, Paula finds a person to vent to about her legal troubles and job precarity. Things take a turn when it becomes clear that Trevor is attempting to scam her, dragging Paula into a dark mystery. All the while Paula has to contend with her patronizing ex-husband (Jake Johnson), his new wife (Jessy Hodges), and a droll detective who seems exasperated by her choices (Dolly de Leon).

Much of the show’s Pleasure comes from Maslany, who puts in possibly her best work since Orphan Black. Thrillers often require the characters to make poor choices to move the story along, which can feel grating or obvious. Maslany and the writing team take the time to walk us through Paula’s frazzled mindset. This allows us to rationalize her bad choices in a way that both keeps the story engaging and builds sympathy. The writers also avoid casting judgement on Paula’s relationship with Trevor, wisely leaving it as the inciting incident. None of it works without the careful guidance of Maslany’s performance.

The able direction of TV vets like David Gordon Green and Dan Sackheim also helps. The series gets a lot of mileage out of quick close-up shots of Maslany’s face and other environmental elements like a boiling pan overflowing to ratchet up the anxiety. It’s no coincidence that these moments are usually followed by Paula making a bold decision. Fun choices like these help the series stand out in the crowd of similar thriller programs.

While Maximum Pleasure succeeds at merging the thriller and family drama elements, the addition of comedy proves to be a harder balance. The show finds a winning dynamic in the fraught relationship between Maslany and Johnson, and de Leon is effortlessly funny. It’s when we head back to Paula’s work, specifically her two cubicle mates, Rudy and Geri (Charlie Hall and Kiarra Hamagami Goldberg) that we lose steam. Hall and Goldberg play the role of comic relief well, but the writing fails them. The duo should be a balm to the tension that surrounds the rest of the show. Instead, they disrupt the flow. Even their later addition to the main story fares poorly.

While it doesn’t deliver to the Maximum, this series still provides plenty to recommend. A twisty thriller headlined by the outstanding performance of Maslany is more than enough to keep you coming back. It’s a rare talent that keeps you engaged with a character through every wrong turn they make. Rarer still, to keep you rooting for them. Maximum Pleasure Guaranteed succeeds at both with ease and leaves you desperate for more.

Maximum Pleasure Guaranteed is currently streaming on Apple TV. New episodes air on Wednesday.

Final Verdict: Tune In

Spider-Noir finds a new spin on superhero tropes

Photo: Prime Video

We’re over 80 years away from the end of the “classic” era of film noir. That’s enough time for the conventions of the genre to become ingrained in pop culture, fall out of fashion, and return to popularity. One could argue that the style and tone of noir never truly fell out. It simply changed with the times. Conversely, superhero properties have been going strong for long enough to need something fresh to pique viewer interest. They desperately need a change and have been stubborn to do so. Spider-Noir attempts to revitalize one genre while paying homage to the other.

Nicolas Cage, in his first TV role, stars as Ben Reilly, formerly The Spider, a masked superhero who does whatever a spider can. Since the tragic death of his wife, Reilly has retired the costume and settled into the role of a grizzled P.I. Don’t worry, this isn’t a “Surf Dracula” situation. Reilly’s back in the costume before too long, thanks to a complicated case that, in true noir fashion, only gets more complex the deeper he looks into it.

Cage is in fantastic form here, treating Reilly as both a broken man and a walking reference to Humphrey Bogart. There’s a cartoonish element to the performance that really helps sell the superhero part of the equation. He also plays wonderfully well with a cast of equally game players. Most notably with Lamorne Morris as reporter Robbie Robertson and Karen Rodriguez as Reilly’s assistant Janet. Not to mention the always welcome presence of Brendan Gleeson as the villainous Silvermane. It’s a stacked cast, but Cage remains the main attraction.

What really helps Spider-Noir land is the clear love on display for the genre. References to film noir’s heyday fill each episode, and the show’s visuals further enhance them. While Amazon gives you the option to watch in color or black-and-white, the latter is clearly the superior choice. The style pops, the setting fits better and, most importantly, it hides some of the dodgier special effects work. In general, “dodgy” is the best description for most of the superhero elements.

As is all too often the case, Spider-Noir works best when it focuses away from the superpowers. The show builds up such an exceptional case for Reilly as a detective that you forget he even has abilities. This is a show designed to play the classics, and it works best in that mode. With a fun cast and a delightfully pulpy Nicolas Cage at the center, the series succeeds at finding a new avenue for standard noir tropes. The constant nods to the genre’s past might rub some the wrong way, but for dedicated buffs there’s a lot to love. Besides, where else are you going to see Cage quote James Cagney?

Spider-Noir is currently streaming on Prime Video.

Final Verdict: Tune In

Another Brick in the Wall #2 – Cluny’s Clowns/High Standards

Swanson, Kiorein, and Stairmaster are back discussing Redwall. In this batch, the trio discuss the “circus” episode, differences in adaptation, and the off-kilter pacing of each episode. Want to request a future bonus episode? Donate to our Buy Me a Coffee page https://www.buymeacoffee.com/tvtuners

Quick Hits: “Margo’s Got Money Troubles”, “Half Man”, “Widow’s Bay”

Welcome to what should be the final installment of these quick reviews for the time being. It’s taken a while, but I feel confident that I’ll have some full reviews on newer shows coming next week. As for this installment, we’ve got an OnlyFans dramedy, a dark look at male masculinity, and a small Massachusetts island that might be cursed.

Photo: Apple TV

Admittedly, calling Margo’s Got Money Troubles an “OnlyFans dramedy” is a tad misleading. Sure, the risque subscription service plays an integral part in the story, but there’s so much more than the label implies. After getting knocked up by her English professor, Margo (Elle Fanning) does indeed run into money troubles, and she turns to OnlyFans as a surprisingly useful way to make money. At its core, the series is a family drama with some spice added in. That spice often leads to the show’s funniest moments, but the writing never looks down on Margo or the other sex workers she encounters.

That humanist spirit applies to the rest of the cast as well. Margo’s estranged parents, Jinx (Nick Offerman) and Shyanne (Michelle Pfeiffer) are particular highlights. Offerman and Pfeiffer provide great foils for each other, and Fanning leans on both in different circumstances. With a great cast that also includes appearances from Greg Kinnear, Nicole Kidman, and Marcia Gay Harden, Fanning remains the standout. Margo may be impulsive and a bit naïve, but she’s also determined to carve out a place for herself despite what others think. Her struggles are the story, but the victories, however small, are what keep you watching.

Margo’s Got Money Troubles is currently streaming on Apple TV.

Final Verdict: Tune In

Half Man

Photo: HBO

How bleak is too bleak? Half Man, Richard Gadd’s follow-up to Baby Reindeer, often feels designed to test the limits of that question. Gadd drops the black comedy this go, but adds even more psychological tension. The series follows Niall (Mitchell Robertson), a shy, closeted teen forced to live with his violent half-brother, Ruben (Stuart Campbell). The series follows a non-linear path through their lives up to adulthood, where Niall and Ruben (Jamie Campbell and Richard Gadd, respectively) continue to struggle with themselves in various ways.

As with his previous work, Gadd tackles some heavy themes here, specifically toxic masculinity and repression. The problem is that the story’s point feels well made before we get anywhere near the conclusion. There just doesn’t seem to be enough material for 6 hour-long episodes. Instead, Half Man ramps up the dourness to an unpleasant degree. The intent is to drive the themes home in the audience’s mind, but it only exposes the flimsy plot holding it all together.

Half Man is currently streaming on HBO Max.

Final Verdict: Tune Out

Widow’s Bay

Photo: Apple TV

There’s something wrong with Widow’s Bay. The fictional island town is the setting for the titular Apple TV show and home to a curse that has spooked many of the locals. Regardless, Mayor Tom Loftis (Matthew Rhys) is determined to turn the place into a tourist attraction. Therein lies the central premise of Widow’s Bay as Tom deals with hesitant locals and his own growing fear that the curse is real. That’s enough foundation for a solid TV show, but creator Katie Dippold and her team don’t stop there.

Part of what makes the horror/comedy combo of Widow’s Bay work is how seamlessly the show transitions between the two genres. You buy the terror these characters experience while also appreciating the absurdity of it all. It helps to have the likes of Stephen Root and Kate O’Flynn in your cast. Rhys’ chemistry with Root’s outspoken local is a particular delight. O’Flynn, meanwhile, ends up being one of the year’s surprise stars as Tom’s assistant Patricia. On top of all that, you have fantastic direction from Hiro Murai, Andrew DeYoung, and even an episode by Ti West that toes the line between genres beautifully. All in all, Widow’s Bay is the biggest surprise of the year so far. The island might not be the next Martha’s Vineyard, but it’s well worth a stay.

Widow’s Bay is currently streaming on Apple TV.

Final Verdict: Tune In

Another Brick in the Wall #1 – Treachery/Sparra’s Kingdom

The TV Tuners podcast is back! Swanson, Kiorein, and Stairmaster have returned for a series covering the forgotten animated series Redwall. Also, the gang reveal what they’ve been up to and commiserate about the final season of The Boys. Want to request a future bonus episode? Donate to our Buy Me a Coffee page https://www.buymeacoffee.com/tvtuners